Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Sunday, February 8, 2009

A Call To Move the Nation

Shoot To Move the Nation: A tough mandate. 500 photographers rise up to call to capture moving stills of the Dignity of Filipino Workers with all intensity and integrity. On the 6th of February, down to 100 top photographs, over dinner and palpable creative adrenaline, I listened to the animated discussion that revolved around the art as a vehicle to fuel patriotic revival. OPF Chairman, Atty. Jesulito Manalo believes in the great potential of this nation. He believes that the universality of appreciating art and culture is a strong uniting force. “Culture now becomes the means to bring across the message of getting our act together in a powerful contagion that crosses borders and differing standpoints,” He muses.



The battlecry: Liyab Piliipinas: Reigniting passion for the nation, and for this specific project, using art and culture as a platform for advocacy. The contest ran from November 2008 to January 2009. Originally the contest would have ended on December 2008, but due to an incessant flooding of the site’s feedback form, the people at The OPF agreed to a deadline extension.

For a pilot project, many were shocked by the overwhelming response. Executive Director Rinka Romero, when asked how she felt as the entries literally flooded in says, “I was humbled. The results were overwhelming. It made me see that I underestimated the audience, that they were more willing to be involved than I gave them credit for.”

The response was felt even among the staff, and I was told that it came to the point, they were apologetic to Rinka as they came in to herald the delivery of even more entries: (Ma’am, sorry po, may regalo ako sa inyo. Hulaan niyo kung ano).




The top 100 photos waited, laid out on a number of tables around the dinner table and judges Quark Henares, Quincy Castillo, Justice Adolf Azcuna, Steve Tirona and Kidlat Tahimik (who sent in his scores earlier during the day)started to go around the lined up prints to rate each by the criteria: Relevance to theme, Image impact and Creativity.

One of the judges, Steve Tirona, renowned photographer of Manny Pacquiao’s latest victory says of what he would consider a good photograph, "The picture is able to make an impact when it tells a story without words.”



Former Philippine Camera Club President and 3-time winner of the prestigious award: Master Photographer Quincy Castillo says that the shift from traditional film to digital has cost the craft quite a bit. He says, “The main difference between users of the two can be seen in one’s discipline. Developing one film slide used to cost 200 pesos. It takes a photographer to practice discipline of planning his shot before-hand to arrive at a good picture. This is what needs to be retained while enjoying the benefits of convenience that the digital medium of photography brings to the craft.”


I looked around the room and saw the passion that carried the project to its fruition. The photographs were striking. I was awed by the fact that one of the entries I saw came from an 18 year old. I saw different messages that communicated the various images of the Dignity of the Filipino Worker. Some photographs showed strength. Some showed craftsmanship. Some showed cheerful candor. Some showed courage. The top 100 collections showed the different settings of a Filipino at work. The agricultural worker. The professional. The family provider. The builder of highways.


But all in all what I saw in the results of the contest was the ability of Filipinos to exist in a variety of settings. To excel in a variety of fields. To remain bright eyed and enthusiastic no matter what the toil. To keep in productive perseverance no matter what the pressure.



The Outlooke Pointe Foundation highlights this evolution in reviving the use of photography as a craft that empowers, rebuilds and unleashes the passion inherent in every Filipino to take what has been given us from colonialism to slavery, from battle scars to victory and use what has once imprisoned us to be the very experience that sets us free.


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pictures by Javi Cabanes

Sunday, January 25, 2009

Greater than the Human Heart

Almighty Father,
the love you offer always exceeds
the furthest expression of human longing.
For you are greater than the human heart.
Direct each thought, each effort of our life
so that the limits of our faults and weaknesses
may not obscure the vision of your glory
or keep us from the peace you have promised.

- from the Daily Roman Missal said in today's mass.


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This picture was taken along Gov. Roa street as I walked to Cebu Doctor's hospital this morning.

Wednesday, November 12, 2008

The Little Corner Home





It was 5 years ago when I tried to tell stories through images..

Over time that part of me has been quietly stashed away because of duties, obligations, survival. for the past 5 months, i've been attempting to unearth it again. and this is one of those attempts that marks the milestone of taking the time to perceive life through different eyes.

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Cooped up in this little office space for almost a year. I can't imagine how I've managed to work without being empowered to have a decent table. my desk serves as the end of a long table that's build for one person. my belongings are squeezed into a space just enough for all. i've been expected to build businesses and grow leaders from this little corner. but no matter how tight and cramped it's been, the cozy comfort of art and the little light of grace has made this space a home.


Tuesday, November 4, 2008

The Red Boots Journey

the red boots journey


This picture got 13 views and 7 comments in Flickr. My highest rating to date since I resurrected my Flickr back up about 2 weeks ago. That Flickr account has been there for 5 years or so but I never really ended up using it because of rising social networks like Multiply and Facebook. Somehow, I've forgotten what it felt like to be anonymous to the internet public. Somehow, I've forgotten what it's like to appreciate the work of a stranger and to look forward to exciting discoveries from random people. Somehow, I've also forgotten how affirming it felt like to get feedback from people I don't know.

This photo was taken in ParadiZoo Cavite. It's an hour and a half drive from Alabang. More pictures that I've taken are in my Flickr Album. But I am specifically fond of this picture because of how it was a moment that was just there, waiting to be captured.

I like the whitewashed paint on the steps. These are steps to a small house located in the Zoo. The boots where just there as if somebody left them. I like how the boots stand out against the whitewash paint. It's a charming sight and it reminds me of cozy walks on a quiet afternoon.


Sunday, October 26, 2008

A Different Eye

I started to take a liking to capturing moments on film when I was college. Back then I used my Dad's Canon. I enjoyed taking black and whites because to me they spoke of truth. The monochrome showed no discrimination for what stood out or what didn't. It just showed what was plainly there. A moment. A face. An object. From there I'd find myself sitting still and watching what I had just immortalized. I'm not expert behind the lenses and I suppose it might as well be just so because in my lack of technique I am able to appreciate and find some meaning in the blurs and the out of focus results of my too enthusiastic seeking heart.

I started to find solace in taking pictures again when I entered business school. The cold hearted days of thorough case studies and discussions numbed my brain to what it used to know as life. The spirit of creativity stunted from flight. This was what led me to again find meaning in the gray concrete walls of the academic business scene Armed only with a Nokia 6600 I started to look at things around me with a different eye. Orange highlighters that strike through 15 page analysis of cases strike through bible verses and a bestselling novel the same. These moments of realization are captured on a 400 by 300 pixel photograph that I usually edit in Adobe Photoshop to add a caption or two describing what I saw in that moment.































These were one of the first few photographs I took. Advancing from a camera phone to a Canon Powershot that took 1 mega pixel of pictures in a 128MB Compact Flash card I got for 10K together with a camera printer that printed wallet sized versions of the the snaps I took. It became almost a daily habit to take pictures like these and share them with family and friends. The habit suddenly became known as subject heading of all my emails I shared these photos through. Picture Poetry as I called it.

These pictures adorn my room printed on photo paper as a gift from my sister on my 27th birthday. They remind me of how I used to see the world from mundane experiences that arouse a spark of hope lying dormant especially in times of intellectual boredom, painful transitions, and fearful uncertainty.

My passion for photography never went to the level of craftmanship as I only lingered in the art to find an additional means to express myself especially when I cannot find the words to capture my thoughts. But later on I convinced my Dad to get a Canon 350DSLR after I graduated from business school so that we can take better photos on our trip to Europe in 2005. Back then dSLRs cost a FORTUNE. I got mine for 49K without a camera bag and only a 1GB Compact Flashcard to boot.

When I saw the big expanse of the world, I saw how many more moments can be captured and the thrill of it all was keeping them for posterity. I munched through moments shutter happy especially during our tour in Europe.



























I thought I reached my height in my journey with photography. The pace of moments died down to a quiet conundrum of introspection. I would occasionally still take pictures of moments, things and people that would move me but the delight in the art faded because it became complicated to journey by myself in a hobby that was experienced by only me.

The past five months have been an archeological dig of sorts that resurrected my inner flame for the artforms that I find myself comfortable in. Music has taken a bit of a back seat these days as I simply explore those that I can carry around and live with in the hustle and bustle of my imbalanced lifestyle. Writing. Reading. Photography. Now become companions in a process that raises up a buried self and calls forth a hibernating passion to see and recreate life filled with beauty and purpose.

It has become a new found joy to recreate again especially with Adi and Javi flying with me. We bought identical Nikon D40s yesterday at Hidalgo (and an additional one for my sister who's a closet art enthusiast) and eagerly captured shots away when we got home in the afternoon. The ease of the D40 matched my impatience for technical detail. The color it produced matched my desire to see the vibrance and life of memories that I want immortalized for good.

So yes, perhaps I am seeing the world with a different eye. One click of the shutter at a time.




Monday, October 20, 2008

Photography Helps Me Write

I spent my entire lunch break finishing i-mag photography. A Filipino magazine on imaging and the imagination. I was particular interested in the articles that described the creative process of professional photographers because they highlighted the reasons that fuel their passion for this art. As with any art comes the value of craftmanship. Even Joyce Carol Oates author of Faith Like A Writer says, "Withought craft, art remains private. Without art, craft is merely handiwork."

I have pondered upon that statement for more than a month now since I finished reading that book. What it's saying to me is any pursuit of art requires discipline to follow through the perfection of the skill that produces the fruits of the artistic process. Without discipline, the artwork remains mediocre and the easy refusal of the artist to share it to the world. Too much rigor on the other hand removes the liberating experience that is normally shared between artist and artwork leading to a dry spillover of inspiration to enthusiasts.

I took to heart what was said about Marcin Stawiarz' photography, "A picture that carries great emotional impact is more valued than a well composed but literal recording of reality. For proof that one can easily understand, consider the way an inexpert snapshot of a child is treasured by a parent. And when the emotional content of the photograph holds universal truths, it also reaches out to other people across cultural, geographical and time barriers."

Art that moves and stirs the deepest recesses of a human soul is the ultimate purpose. Regardless of how it is taken. How it was made. What kind of post-processing done to it. These things become secondary when we're talking about what makes the image significant. An interview with Judes Echauz former Camera Club of the Philippines president and three time Master Photographer says, "to take better pictures you need only to maximize your 6 megapixel camera and not upgrade to the latest twelve megapixel camera because the genius is not in the pixels, it's in you."

At this point where I am trying to perfect my writing craft and shape up my artistic nature, I am brought back to basics. That true perfection of the art still lies in how I, as an artist, am able to make the creative journey significant not only for myself but for others. Where each creative endeavor is not just a set of tasks that lead to a finished outcome but most importantly a step that leads to the fulfillment of a dream.